भालसरिक गाछ/ विदेह- इन्टरनेट (अंतर्जाल) पर मैथिलीक पहिल उपस्थिति

भालसरिक गाछ/ विदेह- इन्टरनेट (अंतर्जाल) पर मैथिलीक पहिल उपस्थिति

(c) २०००-२०२२ सर्वाधिकार सुरक्षित। विदेहमे प्रकाशित सभटा रचना आ आर्काइवक सर्वाधिकार रचनाकार आ संग्रहकर्त्ताक लगमे छन्हि।  भालसरिक गाछ जे सन २००० सँ याहूसिटीजपर छल http://www.geocities.com/.../bhalsarik_gachh.html , http://www.geocities.com/ggajendra   आदि लिंकपर  आ अखनो ५ जुलाइ २००४ क पोस्ट http://gajendrathakur.blogspot.com/2004/07/bhalsarik-gachh.html   (किछु दिन लेल http://videha.com/2004/07/bhalsarik-gachh.html   लिंकपर, स्रोत wayback machine of https://web.archive.org/web/*/videha   258 capture(s) from 2004 to 2016- http://videha.com/  भालसरिक गाछ-प्रथम मैथिली ब्लॉग / मैथिली ब्लॉगक एग्रीगेटर) केर रूपमे इन्टरनेटपर  मैथिलीक प्राचीनतम उपस्थितक रूपमे विद्यमान अछि। ई मैथिलीक पहिल इंटरनेट पत्रिका थिक जकर नाम बादमे १ जनवरी २००८ सँ "विदेह" पड़लै। इंटरनेटपर मैथिलीक पहिल उपस्थितिक यात्रा विदेह- प्रथम मैथिली पाक्षिक ई पत्रिका धरि पहुँचल अछि, जे http://www.videha.co.in/   पर ई प्रकाशित होइत अछि। आब “भालसरिक गाछ” जालवृत्त 'विदेह' ई-पत्रिकाक प्रवक्ताक संग मैथिली भाषाक जालवृत्तक एग्रीगेटरक रूपमे प्रयुक्त भऽ रहल अछि। विदेह ई-पत्रिका ISSN 2229-547X VIDEHA

 

(c)२०००-२०२२. सर्वाधिकार लेखकाधीन आ जतऽ लेखकक नाम नै अछि ततऽ संपादकाधीन। विदेह- प्रथम मैथिली पाक्षिक ई-पत्रिका ISSN 2229-547X VIDEHA सम्पादक: गजेन्द्र ठाकुर। सह-सम्पादक: डॉ उमेश मंडल। सहायक सम्पादक: राम वि‍लास साहु, नन्द विलास राय, सन्दीप कुमार साफी आ मुन्नाजी (मनोज कुमार कर्ण)। सम्पादक- नाटक-रंगमंच-चलचित्र- बेचन ठाकुर। सम्पादक- सूचना-सम्पर्क-समाद- पूनम मंडल। सम्पादक -स्त्री कोना- इरा मल्लिक।

रचनाकार अपन मौलिक आ अप्रकाशित रचना (जकर मौलिकताक संपूर्ण उत्तरदायित्व लेखक गणक मध्य छन्हि) editorial.staff.videha@gmail.com केँ मेल अटैचमेण्टक रूपमेँ .doc, .docx, .rtf वा .txt फॉर्मेटमे पठा सकै छथि। एतऽ प्रकाशित रचना सभक कॉपीराइट लेखक/संग्रहकर्त्ता लोकनिक लगमे रहतन्हि,'विदेह' प्रथम मैथिली पाक्षिक ई पत्रिका मात्र एकर प्रथम प्रकाशनक/ प्रिंट-वेब आर्काइवक/ आर्काइवक अनुवादक आ आर्काइवक ई-प्रकाशन/ प्रिंट-प्रकाशनक अधिकार ऐ ई-पत्रिकाकेँ छै, आ से हानि-लाभ रहित आधारपर छै आ तैँ ऐ लेल कोनो रॊयल्टीक/ पारिश्रमिकक प्रावधान नै छै। तेँ रॉयल्टीक/ पारिश्रमिकक इच्छुक विदेहसँ नै जुड़थि, से आग्रह। रचनाक संग रचनाकार अपन संक्षिप्त परिचय आ अपन स्कैन कएल गेल फोटो पठेताह, से आशा करैत छी। रचनाक अंतमे टाइप रहय, जे ई रचना मौलिक अछि, आ पहिल प्रकाशनक हेतु विदेह (पाक्षिक) ई पत्रिकाकेँ देल जा रहल अछि। मेल प्राप्त होयबाक बाद यथासंभव शीघ्र ( सात दिनक भीतर) एकर प्रकाशनक अंकक सूचना देल जायत।  एहि ई पत्रिकाकेँ श्रीमति लक्ष्मी ठाकुर द्वारा मासक ०१ आ १५ तिथिकेँ ई प्रकाशित कएल जाइत अछि।

स्थायी स्तम्भ जेना मिथिला-रत्न, मिथिलाक खोज, विदेह पेटार आ सूचना-संपर्क-अन्वेषण सभ अंकमे समान अछि, ताहि हेतु ई सभ स्तम्भ सभ अंकमे नइ देल जाइत अछि, ई सभ स्तम्भ देखबा लेल क्लिक करू नीचाँ देल विदेहक 346म आ 347 म अंक, ऐ दुनू अंकमे सम्मिलित रूपेँ ई सभ स्तम्भ देल गेल अछि।

“विदेह” ई-पत्रिका: देवनागरी वर्सन

“विदेह” ई-पत्रिका: मिथिलाक्षर वर्सन

“विदेह” ई-पत्रिका: मैथिली-IPA वर्सन

“विदेह” ई-पत्रिका: मैथिली-ब्रेल वर्सन

 VIDEHA_346

 VIDEHA_346_Tirhuta

 VIDEHA_346_IPA

 VIDEHA_346_Braille

 VIDEHA_347

 VIDEHA_347_Tirhuta

 VIDEHA_347_IPA

 VIDEHA_347_Braille

 

VIDEHA:17:19:मैथिली : विदेह: पहिल बेर ब्रेलमे

2.   ⠝⠻⠈⠍⠝⠇⠻⠨⠻⠞ ⠞⠻⠝ ⠈⠏⠗⠅⠱⠗⠅ ⠗⠃⠏ ⠧⠅⠈⠅⠇⠏⠻⠅⠞⠽⠱ ⠐⠗⠏⠝⠱⠌⠇ ⠚⠱⠽:

2.⠘ ⠛⠄⠇, ⠘⠽ ⠛⠄⠇ ⠧⠱ ⠘⠳ ⠛⠄⠇⠲

2.⠚⠱ ⠗⠓⠇ ⠐⠗⠡⠻, ⠚⠱⠽ ⠗⠓⠇ ⠐⠗⠡⠻, ⠚⠱⠳ ⠗⠓⠇ ⠐⠗⠡⠻⠲

2.⠅⠗’ ⠛⠄⠇⠱⠓, ⠧⠱ ⠅⠗⠽ ⠛⠄⠇⠱⠓ ⠧⠱ ⠅⠗⠳ ⠛⠄⠇⠱⠓⠲

2.

3.   ⠈⠏⠗⠱⠉⠻⠝ ⠍⠅⠹⠻⠇⠻⠅ ‘⠈⠝⠓’ ⠈⠮⠧⠝⠻⠅ ⠈⠎⠹⠱⠝⠍⠄ ‘⠝’ ⠇⠻⠨⠇ ⠚⠱⠽ ⠎⠅⠅⠞ ⠐⠗⠡⠻ ⠽⠹⠱ ⠅⠓⠇⠝⠻ ⠧⠱ ⠅⠓⠇⠈⠝⠓⠻⠲

3.

4.   ‘⠑’ ⠞⠹⠱ ‘⠕’ ⠞⠞⠽ ⠇⠻⠨⠇ ⠚⠱⠽ ⠚⠞’ ⠈⠎⠏⠈⠯⠾⠞⠠ ‘⠐⠗⠜’ ⠞⠹⠱ ‘⠐⠗⠔’ ⠎⠙⠍⠩ ⠔⠈⠉⠉⠱⠗⠼ ⠜⠈⠯⠾ ⠓⠇⠲ ⠽⠹⠱- ⠙⠄⠨⠅⠞, ⠡⠇⠅⠅, ⠃⠉⠂, ⠡⠉⠅ ⠜⠈⠞⠽⠱⠙⠻⠲

4.

5.   ⠍⠅⠹⠻⠇⠻⠅ ⠝⠻⠈⠍⠝⠇⠻⠨⠻⠞ ⠩⠈⠃⠙ ⠳⠓⠻ ⠗⠃⠏⠄ ⠈⠏⠗⠽⠂⠈⠅⠞ ⠓⠇⠽⠞:

5.⠚⠅⠓,⠎⠅⠓,⠜⠳⠓,⠌⠑⠓,⠇⠅⠓ ⠞⠹⠱ ⠙⠅⠓⠲

5.

6.   ⠈⠓⠈⠗⠈⠎⠧ ⠜⠅⠱⠗⠱⠊⠞ ⠩⠈⠃⠙⠍⠄ ‘⠜’ ⠅⠄ ⠇⠂⠈⠏⠞ ⠅⠗⠃ ⠎⠱⠍⠱⠈⠝⠽⠞⠠ ⠐⠗⠈⠛⠗⠱⠈⠓⠽ ⠹⠻⠅⠲ ⠽⠹⠱- ⠈⠛⠗⠱⠈⠓⠽ ⠙⠄⠨⠻ ⠂⠃⠓, ⠍⠱⠇⠻⠝⠻ ⠛⠄⠇⠻ (⠍⠝⠂⠈⠯⠽ ⠍⠱⠈⠞⠗⠍⠄)⠲

6.

7.   ⠈⠎⠧⠞⠊⠈⠞⠗ ⠈⠓⠗⠈⠎⠧ ‘⠳’ ⠧⠱ ‘⠽’ ⠈⠏⠗⠱⠉⠻⠝ ⠍⠅⠹⠻⠇⠻⠅ ⠔⠈⠙⠮⠗⠼ ⠂⠙⠻⠍⠄ ⠞⠌ ⠽⠹⠱⠧⠞ ⠗⠱⠨⠇ ⠚⠱⠽, ⠅⠻⠊⠞⠂ ⠂⠮⠂⠝⠻⠅ ⠈⠏⠗⠽⠇⠛⠍⠄ ⠧⠅⠅⠈⠇⠏⠻⠅ ⠗⠃⠏⠄⠌ ‘⠳’ ⠧⠱ ‘⠽’ ⠇⠻⠨⠇ ⠚⠱⠽⠲ ⠽⠹⠱:- ⠅⠽⠇ ⠧⠱ ⠅⠳⠇, ⠐⠗⠽⠇⠱⠓ ⠧⠱ ⠐⠗⠳⠇⠱⠓, ⠚⠱⠽ ⠧⠱ ⠚⠱⠳ ⠜⠈⠞⠽⠱⠙⠻⠲

7.

8.   ⠔⠈⠉⠉⠱⠗⠼⠍⠄ ⠙⠃ ⠈⠎⠧⠗⠅ ⠃⠻⠉ ⠚⠄ ‘⠽’ ⠈⠮⠧⠝⠻ ⠈⠎⠧⠞⠠ ⠂⠃⠻ ⠚⠱⠜⠞ ⠐⠗⠡⠻ ⠞⠅⠗⠱ ⠇⠄⠨⠍⠄ ⠈⠎⠹⠱⠝ ⠧⠅⠅⠈⠇⠏⠻⠅ ⠗⠃⠏⠄⠌ ⠙⠄⠇ ⠚⠱⠽⠲ ⠽⠹⠱- ⠮⠻⠂, ⠐⠗⠐⠻⠅⠂, ⠧⠻⠂⠓, ⠧⠱ ⠮⠻⠽⠱, ⠐⠗⠐⠻⠅⠽⠱, ⠃⠻⠽⠱⠓⠲

8.

9.   ⠎⠱⠝⠂⠝⠱⠎⠻⠅ ⠈⠎⠧⠞⠊⠈⠞⠗ ⠈⠎⠧⠗⠅ ⠈⠎⠹⠱⠝ ⠽⠹⠱⠎⠊⠘⠧ ‘⠒’ ⠇⠻⠨⠇ ⠚⠱⠽ ⠧⠱ ⠎⠱⠝⠂⠝⠱⠎⠻⠅ ⠈⠎⠧⠗⠲ ⠽⠹⠱:- ⠍⠅⠒⠱, ⠅⠝⠻⠒⠱, ⠅⠻⠗⠞⠝⠻⠒⠱ ⠧⠱ ⠍⠅⠂⠌, ⠅⠝⠻⠂⠌, ⠅⠻⠗⠞⠝⠻⠂⠌⠲

9.

10. ⠅⠱⠗⠅⠅ ⠧⠻⠘⠈⠅⠈⠞⠞⠻⠅ ⠝⠻⠈⠍⠝⠇⠻⠨⠻⠞ ⠗⠃⠏ ⠈⠛⠗⠱⠈⠓⠽:-

10.⠓⠱⠹⠅⠄⠌, ⠓⠱⠹⠎⠌, ⠓⠱⠹⠄⠌, ⠓⠱⠹⠅, ⠓⠱⠹⠍⠄⠲

10.’⠍⠄’ ⠍⠄ ⠐⠗⠝⠂⠈⠎⠧⠱⠗ ⠎⠈⠗⠧⠹⠱ ⠈⠞⠽⠱⠈⠚⠽ ⠹⠻⠅⠲ ‘⠅’ ⠅ ⠧⠅⠅⠈⠇⠏⠻⠅ ⠗⠃⠏ ‘⠅⠄⠗’ ⠗⠱⠨⠇ ⠚⠱ ⠎⠅⠅⠞ ⠐⠗⠡⠻⠲

10.

11. ⠏⠃⠈⠗⠧⠅⠱⠇⠻⠅ ⠈⠅⠗⠻⠽⠱⠏⠙⠅ ⠃⠱⠙ ‘⠅⠽’ ⠧⠱ ‘⠅⠳’ ⠐⠗⠈⠧⠽⠽ ⠧⠅⠅⠈⠇⠏⠻⠅ ⠗⠃⠏⠄⠌ ⠇⠛⠱⠌⠇ ⠚⠱ ⠎⠅⠅⠞ ⠐⠗⠡⠻⠲ ⠽⠹⠱:- ⠙⠄⠨⠻ ⠅⠽ ⠧⠱ ⠙⠄⠨⠻ ⠅⠳⠲

11.

12. ⠍⠱⠌⠛, ⠘⠱⠌⠛ ⠂⠙⠻⠅ ⠈⠎⠹⠱⠝⠍⠄ ⠍⠱⠬, ⠘⠱⠬ ⠜⠈⠞⠽⠱⠙⠻ ⠇⠻⠨⠇ ⠚⠱⠽⠲

12.

13. ⠐⠗⠈⠗⠈⠙⠮ ‘⠝’ ⠌ ⠐⠗⠈⠗⠈⠙⠮ ‘⠍’ ⠅ ⠃⠙⠇⠱ ⠐⠗⠝⠂⠎⠱⠗ ⠝⠓⠻ ⠇⠻⠨⠇ ⠚⠱⠽(⠐⠗⠏⠧⠱⠙-⠎⠊⠎⠱⠗ ⠎⠈⠝⠎⠱⠗ ⠝⠓⠻), ⠅⠻⠊⠞⠂ ⠡⠱⠏⠱⠅ ⠎⠂⠧⠻⠮⠱⠈⠗⠹ ⠐⠗⠈⠗⠈⠙⠮ ‘⠬’ , ‘⠒’, ⠞⠹⠱ ‘⠼’ ⠅ ⠃⠙⠇⠱ ⠐⠗⠝⠂⠈⠎⠧⠱⠗⠇ ⠇⠻⠨⠇ ⠚⠱ ⠎⠅⠅⠞ ⠐⠗⠡⠻⠲ ⠽⠹⠱:- ⠐⠗⠈⠬⠅, ⠧⠱ ⠐⠗⠊⠅, ⠐⠗⠈⠒⠉⠇ ⠧⠱ ⠐⠗⠊⠉⠇, ⠅⠈⠼⠺ ⠧⠱ ⠅⠊⠺⠲

13.

14. ⠓⠇⠊⠞ ⠉⠻⠈⠓⠝ ⠝⠻⠽⠍⠞⠠ ⠇⠛⠱⠌⠇ ⠚⠱⠽, ⠅⠻⠊⠞⠂ ⠧⠻⠘⠈⠅⠞⠻⠅ ⠎⠊⠛ ⠐⠗⠅⠱⠗⠱⠊⠞ ⠈⠏⠗⠽⠇⠛ ⠅⠳⠇ ⠚⠱⠽⠲ ⠽⠹⠱:- ⠈⠩⠗⠻⠍⠱⠈⠝, ⠅⠻⠊⠞⠂ ⠈⠩⠗⠻⠍⠱⠝⠅⠲

14.

15. ⠎⠘ ⠳⠅⠇ ⠅⠱⠗⠅ ⠉⠻⠈⠓⠝ ⠩⠈⠃⠙⠍⠄ ⠎⠾⠱ ⠅’ ⠇⠻⠨⠇ ⠚⠱⠽, ⠓⠾⠱ ⠅’ ⠝⠓⠻, ⠎⠊⠽⠂⠈⠅⠞ ⠧⠻⠘⠈⠅⠞⠻⠅ ⠓⠄⠞⠂ ⠖⠗⠱⠅ ⠇⠻⠨⠇ ⠚⠱⠽, ⠽⠹⠱ ⠣⠗ ⠏⠗⠅⠲

15.

16. ⠐⠗⠝⠂⠝⠱⠎⠻⠅⠅⠄⠌ ⠉⠈⠝⠈⠙⠗⠃⠻⠈⠝⠙⠂ ⠈⠙⠧⠱⠗⠱ ⠈⠧⠽⠈⠅⠞ ⠅⠽⠇ ⠚⠱⠽⠲ ⠏⠗⠊⠞⠂ ⠍⠂⠈⠙⠗⠼⠅ ⠎⠂⠧⠻⠮⠱⠈⠗⠹ ⠓⠻ ⠎⠍⠱⠝ ⠚⠾⠻⠇ ⠍⠱⠈⠞⠗⠱ ⠏⠗ ⠐⠗⠝⠂⠈⠎⠧⠱⠗⠅ ⠈⠏⠗⠽⠇⠛ ⠉⠈⠝⠈⠙⠗⠃⠻⠈⠝⠙⠂⠅ ⠃⠙⠇⠱ ⠅⠽⠇ ⠚⠱ ⠎⠅⠅⠞ ⠐⠗⠡⠻⠲⠽⠹⠱- ⠓⠻⠌ ⠅⠄⠗ ⠃⠙⠇⠱ ⠓⠻⠊⠲

17. ⠏⠃⠈⠗⠼ ⠧⠻⠗⠱⠍ ⠏⠱⠎⠻⠎⠌ ( ⠲ ) ⠎⠃⠉⠻⠞ ⠅⠽⠇ ⠚⠱⠽⠲

17.

18. ⠎⠍⠈⠎⠞ ⠏⠙ ⠎⠾⠱ ⠅’ ⠇⠻⠨⠇ ⠚⠱⠽, ⠧⠱ ⠓⠱⠜⠖⠄⠝⠎⠌ ⠚⠇ड़⠻ ⠅’ , ⠓⠾⠱ ⠅’ ⠝⠓⠻⠲

18.

19. ⠇⠻⠐⠗ ⠞⠹⠱ ⠙⠻⠐⠗ ⠩⠈⠃⠙⠍⠄ ⠃⠻⠅⠱⠗⠻ (⠁) ⠝⠓⠻ ⠇⠛⠱⠌⠇ ⠚⠱⠽⠲

20. 

⠈⠛⠗⠱⠈⠓⠽                                                      ⠐⠗⠈⠛⠗⠱⠈⠓⠽

 

1.       ⠓⠇⠽⠃⠇⠱/⠓⠇⠃⠽⠃⠇⠱/⠓⠇⠍⠽⠃⠇⠱/                          ⠓⠄⠃’⠃⠇⠱, ⠓⠄⠍’⠃⠇⠱

1.⠓⠇⠽⠃⠱⠅/⠓⠇⠳⠃⠱⠅

2.       ⠂’/⠂⠁                                             ⠂

2.

3.       ⠅’ ⠇⠄⠝⠄/⠅⠁ ⠇⠄⠝⠄/⠅⠳ ⠇⠄⠝⠄/⠅⠽ ⠇⠄⠝⠄/

3.⠇’/⠇⠁/⠇⠽/⠇⠳

3.

4.       ⠘’ ⠛⠄⠇/⠘⠁ ⠛⠄⠇/⠘⠽ ⠛⠄⠇/⠘⠳ ⠛⠄⠇

4.

5.       ⠅⠗’ ⠛⠄⠇⠱⠓/⠅⠗⠁ ⠛⠄⠇⠓/⠅⠗⠳ ⠛⠄⠇⠱⠓/⠅⠗⠽ ⠛⠄⠇⠱⠓

5.

6.       ⠇⠻⠐⠗/⠙⠻⠐⠗                                             ⠇⠻⠽’,⠙⠻⠽’,⠇⠻⠐⠗’,⠙⠻⠽’

6.

7.       ⠅⠗’ ⠃⠇⠱/⠅⠗⠁ ⠃⠇⠱/ ⠅⠗⠽ ⠃⠇⠱                           ⠅⠗⠅ ⠃⠇⠱/⠅’⠗’ ⠃⠇⠱

7.

8.       ⠃⠇⠱                                                   ⠧⠇⠱

8.

9.       ⠂⠈⠬⠇                                                  ⠂⠊⠈⠛⠇

9.

10.   ⠈⠏⠗⠱⠽⠠                                                   ⠈⠏⠗⠱⠽⠓

10.

11.   ⠙⠂⠠⠨                                                    ⠙⠂⠨

11.

12.   ⠉⠇⠻ ⠛⠄⠇                                                 ⠉⠇ ⠛⠄⠇/⠉⠅⠇ ⠛⠄⠇

12.

13.   ⠙⠄⠇⠨⠻⠈⠝⠓                                                 ⠙⠄⠇⠅⠻⠈⠝⠓, ⠙⠄⠇⠨⠻⠝

13.

14.   ⠙⠄⠨⠇⠈⠝⠓⠻                                                ⠙⠄⠨⠇⠝⠻/ ⠙⠄⠨⠇⠅⠈⠝⠓

14.

15.   ⠡⠹⠻⠈⠝⠓/ ⠡⠇⠈⠝⠓⠻                                      ⠡⠹⠻⠝/ ⠡⠇⠅⠝/ ⠡⠇⠝⠻

15.

16.   ⠉⠇⠅⠞/⠙⠅⠞                                                 ⠉⠇⠞⠻/⠙⠅⠞⠻

17.   ⠳⠨⠝⠇                                                    ⠐⠗⠨⠝⠇

17.

18.   ⠃⠐⠻⠈⠝⠓⠻                                                     ⠃⠿⠈⠝⠓⠻

18.

19.   ⠌’/⠌⠁(⠎⠈⠗⠧⠝⠱⠍)                                            ⠌

19.

20.   ⠌  (⠎⠊⠽⠇⠚⠅)                                               ⠌’/⠌⠁

21.   ⠖⠱⠌⠛⠻/⠖⠱⠈⠬⠛⠻                                                 ⠖⠱⠜⠊⠛/⠖⠱⠜⠬

22.   ⠚⠄                                                        ⠚⠄’/⠚⠄⠁

23.   ⠝⠱-⠝⠂⠅⠂⠗                                                   ⠝⠱-⠝⠂⠅⠗

23.

24.   ⠅⠄⠇⠈⠝⠓⠻/⠅⠳⠇⠈⠝⠓⠻/⠅⠽⠇⠈⠝⠓⠻

24.

25.   ⠞⠨⠝ ⠞⠌                                                     ⠞⠨⠝⠞⠌

25.

26.   ⠚⠱’ ⠗⠓⠇/⠚⠱⠽ ⠗⠓⠇/⠚⠱⠳ ⠗⠓⠇

26.

27.   ⠝⠻⠅⠇⠽/⠝⠻⠅⠇⠳ ⠇⠱⠛⠇

27. ⠃⠓⠗⠱⠽/⠃⠓⠗⠱⠳ ⠇⠱⠛⠇                                  ⠝⠻⠅⠇’/⠃⠓⠗⠅ ⠇⠱⠛⠇

27.

28.   ⠌⠞⠽/⠚⠞⠽                                      ⠚⠞’/⠌⠞’/⠚⠞⠳/⠌⠞⠳

28.

29.   ⠅⠻ ⠖⠃ड़⠇ ⠚⠄                                               ⠅⠻ ⠖⠃ड़⠇ ⠚⠄

29.

30.   ⠚⠄                                                        ⠚⠄’/⠚⠄⠁

31.   ⠅⠃⠙⠻/⠽⠱⠙⠻(⠍⠇⠝ ⠏⠱⠗⠃)                                ⠅⠃⠜⠙/⠽⠱⠜⠙/⠅⠃⠙/⠽⠱⠙

31.

32.   ⠜⠓⠇/⠌⠓⠇                                   

33.   ⠓⠌⠎⠳/⠓⠌⠎⠽                                                   ⠓⠌⠎’

33.

34.   ⠝⠉ ⠂⠅⠻ ⠙⠎/⠝⠉ ⠅⠻⠊⠧⠱ ⠙⠎/⠝⠉ ⠧⠱ ⠙⠎

34.

35.   ⠎⠱⠎⠂-⠎⠎⠂⠗                                                   ⠎⠱⠎-⠎⠎⠂⠗

35.

36.   ⠡⠓/⠎⠱⠞                                                     ⠡/⠡⠠/⠎⠱⠞

36.

37.   ⠅⠻                                          ⠅⠻’/⠅⠻⠁(⠙⠻⠈⠗⠣⠻⠅⠱⠗⠱⠈⠝⠞⠍⠄ ⠧⠈⠗⠚⠻⠞)

37.

38.   ⠚⠃⠱⠃                                                          ⠚⠧⠱⠃

38.

39.   ⠅⠗⠳⠞⠱⠓/⠅⠗⠽⠞⠱⠓                                                  ⠅⠗⠄⠞⠱⠓

39.

40.   ⠙⠇⠱⠝ ⠙⠻⠩⠻                                                    ⠙⠇⠱⠝ ⠙⠻⠩

40.

41.   ⠛⠄⠇⠱⠓                                                           ⠛⠳⠇⠱⠓/⠛⠽⠇⠱⠓

41.

42.   ⠅⠻⠡⠂ ⠂⠗                                                        ⠅⠻⠡⠂ ⠕⠗

42.

43.   ⠚⠱⠜⠞ ⠡⠇                                            ⠚⠱⠞⠻ ⠡⠇/⠚⠅⠞ ⠡⠇

43.

44.   ⠏⠓⠂⠌⠉⠻/⠘⠄⠾⠻ ⠚⠱⠜⠞ ⠡⠇                                  ⠏⠓⠂⠌⠉/⠘⠄⠾ ⠚⠱⠜⠞ ⠡⠇

44.

45.   ⠚⠃⠱⠝(⠽⠂⠧⠱)/⠚⠧⠱⠝(⠖⠉⠚⠻)

45.

46.   ⠇⠽/⠇⠳ ⠅’/⠅⠁

47.   ⠇’/⠇⠁ ⠅⠽/⠅⠳

47.

48.   ⠳⠨⠝/⠐⠗⠨⠝⠄                                                    ⠐⠗⠨⠝/⠳⠨⠝⠄

48.

49.   ⠐⠗⠓⠻⠊⠅⠄⠌                                                            ⠐⠗⠓⠻⠌⠅⠄⠌

49.

50.   ⠛⠓⠻⠊⠗                                                            ⠛⠓⠻⠌⠗

50.

51.   ⠮⠱⠗ ⠏⠱⠗ ⠅⠄⠝⠱⠜                                     ⠮⠱⠗ ⠏⠱⠗ ⠅⠄⠝⠱⠽/⠅⠄⠝⠱⠳

51.

52.   ⠚⠄⠅⠱⠌                                                         ⠚⠄⠌⠅⠱⠌/⠚⠅⠱⠌

52.

53.   ⠞⠓⠻⠝⠱                                                        ⠞⠄⠓⠻⠝⠱

53.

54.   ⠳⠅⠗                                                         ⠐⠗⠅⠗

54.

55.   ⠃⠓⠻⠝⠔                                                     ⠃⠓⠝⠇⠜

55.

56.   ⠃⠓⠻⠝                                                        ⠃⠓⠻⠝⠻

56.

57.   ⠃⠓⠻⠝⠻-⠃⠓⠻⠝⠇⠜                                                 ⠃⠓⠻⠝-⠃⠓⠝⠔

57.

58.   ⠝⠓⠻/⠝⠅

58.

59.   ⠅⠗⠃⠱’/⠅⠗⠃⠱⠽/⠅⠗⠃⠱⠳

59.

60.   ⠞’/⠞ ⠁                                                      ⠞⠽/⠞⠳

60.

61.   ⠘⠱⠽                                                         ⠘⠅

61.

62.   ⠘⠱⠌⠽                                                                       

63.   ⠽⠱⠧⠞                                                       ⠚⠱⠧⠞

63.

64.   ⠍⠱⠽                                                         ⠍⠅

64.

65.   ⠙⠄⠈⠝⠓⠻/⠙⠳⠈⠝⠓⠻/⠙⠽⠈⠝⠓⠻                                           ⠙⠈⠝⠓⠻/⠙⠅⠈⠝⠓⠻

65.

66.   ⠙’/⠙ ⠁/⠙⠳

⠞⠅⠱’ ⠅⠳ ⠞⠅⠱⠽  ⠞⠅⠱⠳

⠏⠅⠗⠄ (on foot) ⠏⠳⠗⠄

⠞⠱⠓⠂⠍⠄  ⠞⠱⠓⠃⠍⠄

⠏⠂⠈⠞⠗⠻⠅

⠃⠚⠱ ⠅⠽/ ⠅⠳

⠃⠝⠝⠱⠽

⠅⠇⠇⠱

⠙⠻⠝⠂⠅⠱ ⠙⠻⠝⠅⠱

⠞⠞⠓⠻⠎⠌

⠛⠗⠃⠌⠇⠈⠝⠓⠻  ⠛⠗⠃⠄⠇⠈⠝⠓⠻

⠃⠱⠇⠂ ⠃⠱⠇⠃

⠉⠄⠈⠝⠓ ⠉⠻⠈⠝⠓(⠐⠗⠩⠂⠈⠙⠮)

⠚⠄         ⠚⠄’

⠎⠄/ ⠅⠄     ⠎⠄’/⠅⠄’

⠳⠨⠂⠝⠅⠱     ⠐⠗⠨⠝⠂⠅⠱

⠘⠂⠍⠻⠓⠱⠗  ⠘⠃⠍⠻⠓⠱⠗

⠎⠂⠛⠗     ⠎⠃⠛⠗

⠴⠺⠓⠱⠅  ⠴⠾⠓⠱⠅

⠡⠃⠃⠻

⠅⠗⠜⠽⠇/⠌ ⠅⠗⠅⠽⠇

⠏⠂⠃⠱⠗⠻       ⠏⠂⠃⠱⠜

⠴⠛ड़⠱-⠴⠱⠌⠾⠻   ⠴⠛ड़⠱-⠴⠱⠌⠾⠻

⠏⠳⠗⠄-⠏⠳⠗⠄     ⠏⠅⠗⠄-⠏⠅⠗⠄

⠨⠄⠇⠳⠃⠱⠅     ⠨⠄⠇⠄⠃⠱⠅

⠨⠄⠇⠱⠳⠃⠱⠅

⠇⠛⠱’

⠓⠇⠳-  ⠓⠇

⠃⠂⠴⠇    ⠃⠃⠴⠇

⠃⠃⠴⠇ (⠎⠊⠃⠇⠮⠝ ⠐⠗⠈⠗⠹⠍⠄)

⠽⠅⠓   ⠽⠳⠓

⠞⠱⠞⠻⠇

⠐⠗⠽⠝⠱⠽- ⠐⠗⠽⠝⠱⠜

⠝⠻⠈⠝⠝-  ⠝⠻⠈⠝⠙

⠃⠻⠝⠂   ⠃⠻⠝

⠚⠱⠳  ⠚⠱⠜

⠚⠱⠜(in different sense)-last word of sentence

⠡⠞ ⠏⠗ ⠂⠃⠻ ⠚⠱⠜

⠝⠄

⠨⠄⠇⠱⠳ (play) –⠨⠄⠇⠱⠜

⠩⠻⠅⠱⠜⠞- ⠩⠻⠅⠱⠽⠞

⠿⠏- ⠐⠻⠏

⠏⠐⠻- ⠏⠿

⠅⠝⠻⠳/ ⠅⠝⠻⠽⠄ ⠅⠝⠻⠒⠄

⠗⠱⠅⠎- ⠗⠱⠅⠩

⠓⠇⠳/ ⠓⠇⠽  ⠓⠇⠜

⠐⠗⠔⠗⠙⠱- ⠕⠗⠙⠱

⠃⠂⠴⠄⠇⠈⠝⠓⠻ (different meaning- got understand)

⠃⠂⠴⠳⠇⠈⠝⠓⠻/ ⠃⠂⠴⠽⠇⠈⠝⠓⠻ (understood himself)

⠉⠇⠻- ⠉⠇

⠨⠮⠱⠜- ⠨⠮⠱⠽

⠍⠇⠝ ⠏⠱ड़⠇⠨⠻⠈⠝⠓   ⠍⠇⠝ ⠏⠱⠗⠇⠨⠻⠈⠝⠓

⠅⠅⠅- ⠅⠳⠅- ⠅⠜⠳⠅

⠇⠛ ⠇’⠛

⠚⠗⠄⠝⠱⠜

⠚⠗⠌⠝⠱⠜-  ⠚⠗⠳⠝⠱⠜/⠚⠗⠽⠝⠱⠜

⠓⠇⠜⠞ 

⠛ड़⠃⠄⠇⠈⠝⠓⠻/ ⠛ड़⠃⠌⠇⠈⠝⠓⠻

⠉⠻⠨⠅⠞- (to test)⠉⠻⠨⠜⠞

⠅⠗⠜⠽⠇(willing to do)  ⠅⠗⠅⠽⠇

⠚⠄⠅⠗⠱-  ⠚⠅⠗⠱

⠞⠅⠗⠱-  ⠞⠄⠅⠗⠱

⠃⠻⠙⠄⠎⠗ ⠈⠎⠹⠱⠝⠄⠍⠄/ ⠃⠻⠙⠄⠎⠗⠄ ⠈⠎⠹⠱⠝⠍⠄

⠅⠗⠃⠽⠇⠓⠂⠌/ ⠅⠗⠃⠳⠇⠓⠂⠌/⠅⠗⠃⠄⠇⠓⠂⠌

⠓⠱⠗⠻⠅ (⠔⠈⠉⠉⠱⠗⠼ ⠓⠱⠜⠗⠅)

⠌⠚⠝    ⠧⠚⠝

⠂⠮⠄ ⠘⠱⠛/ ⠂⠮-⠘⠱⠛⠄

⠏⠻⠉⠱’/ ⠏⠻⠉⠱⠽/⠏⠻⠉⠱⠳

⠝⠒/ ⠝⠄

⠃⠈⠉⠉⠱ ⠝⠒ (⠝⠄) ⠏⠻⠉⠱ ⠚⠱⠽

⠞⠨⠝ ⠝⠄ (⠝⠒) ⠅⠓⠅⠞ ⠐⠗⠡⠻⠲

⠅⠞⠄⠅ ⠛⠇⠾⠄/ ⠅⠞⠱⠅ ⠛⠇⠾⠄

⠅⠍⠱⠜- ⠮⠍⠱⠜  ⠅⠍⠱⠊- ⠮⠍⠱⠊

⠇⠛ ⠇’⠛

⠨⠄⠇⠱⠜ (for playing)

⠡⠹⠻⠈⠝⠓  ⠡⠹⠻⠝

⠓⠇⠜⠞  ⠓⠇⠜

⠈⠅⠽⠇   ⠅⠻⠽⠇

⠅⠄⠩ (hair)

⠅⠄⠎  (court-case)

⠃⠝⠝⠱⠜/ ⠃⠝⠝⠱⠽/ ⠃⠝⠝⠱⠳

⠚⠗⠄⠝⠱⠜

⠅⠂⠗⠎⠻  ⠅⠂⠈⠗⠎⠻

⠉⠗⠉⠱   ⠉⠈⠗⠉⠱

⠅⠈⠗⠍     ⠅⠗⠍

⠫⠂⠃⠱⠃⠽/ ⠫⠂⠍⠱⠃⠽

⠳⠨⠂⠝⠅⠱/ ⠐⠗⠨⠂⠝⠅⠱

⠇⠽ (⠧⠱⠈⠅⠽⠅ ⠐⠗⠞⠻⠍ ⠩⠈⠃⠙)- ⠇’

⠅⠳⠇⠅   ⠅⠄⠇⠅

⠛⠗⠍⠻    ⠛⠈⠗⠍⠻

⠃⠗⠙⠻      ⠧⠈⠗⠙⠻

⠎⠂⠝⠱ ⠛⠄⠇⠱⠓  ⠎⠂⠝⠱’/⠎⠂⠝⠱⠁

⠳⠝⠱⠜-⠛⠄⠝⠱⠜

⠞⠄⠝⠱⠝⠄ ⠣⠄⠗⠇⠈⠝⠓⠻

⠝⠒

⠫⠗⠇   ⠫’⠗⠇

⠅⠞⠓⠂-  ⠅⠓⠻⠊

⠔⠍⠗⠻⠛⠗- ⠔⠍⠗⠛⠗

⠘⠗⠻⠛⠗

⠮⠇⠇/⠮⠇⠐⠗⠇ ⠮⠇⠳⠇

⠛⠏/⠛⠈⠏⠏

⠅⠄  ⠅⠄’

⠙⠗⠃⠈⠚⠚⠱/ ⠙⠗⠃⠚⠱

⠺⠱⠍

⠮⠗⠻  ⠞⠅

⠣⠃⠗⠻   ⠇⠉⠾⠻

⠹⠇⠗⠃⠄⠅

⠃⠈⠫⠫

⠞⠇⠌/ ⠞⠃⠌

⠞⠇⠌⠓⠻( ⠏⠈⠙⠽⠍⠄ ⠈⠛⠗⠱⠈⠓⠽)

⠞⠇⠌⠓⠻/⠞⠇⠌⠓⠻

⠅⠗⠃⠱⠜⠳   ⠅⠗⠃⠱⠜⠽⠄

⠳⠅⠄⠾⠱

⠅⠗⠻⠞⠹⠻   ⠅⠗⠞⠹⠻

⠏⠓⠂⠌⠉⠻  ⠏⠓⠂⠌⠉

⠗⠱⠨⠇⠈⠝⠓⠻  ⠗⠨⠇⠈⠝⠓⠻

⠇⠛⠇⠈⠝⠓⠻  ⠇⠱⠛⠇⠈⠝⠓⠻

⠎⠂⠝⠻ (⠔⠈⠉⠉⠱⠗⠼ ⠎⠂⠜⠝)

⠐⠗⠡⠻ (⠔⠈⠉⠉⠱⠗⠼ ⠐⠗⠜⠡)

⠳⠇⠹⠻  ⠛⠄⠇⠹⠻

⠃⠻⠞⠌⠝⠄   ⠃⠻⠞⠄⠝⠄

⠅⠗⠃⠌⠇⠈⠝⠓⠻/ ⠅⠗⠄⠇⠨⠻⠈⠝⠓

⠅⠗⠳⠇⠈⠝⠓⠻

⠂⠅⠻   ⠅⠻

⠏⠓⠂⠌⠉⠻ ⠏⠓⠂⠌⠉

⠚⠗⠱⠽/ ⠚⠗⠱⠳  ⠚⠗⠱’ (⠂⠛⠻ ⠇⠛⠱)

⠎⠄  ⠎⠄’

⠓⠱⠌ ⠍⠄ ⠓⠱⠌   (⠓⠱⠌⠍⠄ ⠓⠱⠌ ⠧⠻⠘⠈⠅⠈⠞⠞⠻⠍⠄ ⠓⠾⠱ ⠅⠳)

⠖⠄⠇ ⠖⠅⠇

⠖⠜⠇(spacious)   ⠖⠅⠇

⠓⠇⠽⠞⠈⠝⠓⠻/ ⠓⠇⠳⠞⠈⠝⠓⠻  ⠓⠄⠞⠈⠝⠓⠻

⠓⠱⠹ ⠍⠾⠻⠂⠽⠃/ ⠓⠱⠹ ⠍⠾⠻⠽⠱⠃⠽

⠖⠄⠅⠱  ⠖⠄⠊⠅⠱

⠙⠄⠨⠱⠳  ⠙⠄⠨⠱’

⠙⠄⠨⠱⠽   ⠙⠄⠨⠱’

⠎⠈⠞⠞⠗⠻   ⠎⠈⠞⠞⠗

⠎⠱⠓⠄⠃    ⠎⠱⠓⠃

VIDEHA FOR NON RESIDENTS

 

1.VIDEHA MITHILA TIRBHUKTI TIRHUT

 

2.THE COMET- English translation of Gajendra Thakur's Maithili Novel Sahasrabadhani translated by Jyoti.- poem by Jyoti.

 

YEAR 2008-09 FESTIVALS OF MITHILA⠍⠻⠹⠻⠇⠱⠅ ⠏⠱⠃⠝⠻-⠞⠻⠓⠱⠗

Year 2008

ashunyashayan vrat- 19 july ⠐⠗⠩⠃⠈⠝⠽⠩⠽⠝ ⠈⠧⠗⠞ mauna panchmi- 23 july ⠍⠉⠝⠱ ⠏⠊⠉⠍⠻

 

    madhusravani vrat samapt 4 august ⠍⠮⠂⠈⠩⠗⠱⠧⠝⠻ ⠈⠧⠗⠞ ⠎⠍⠱⠈⠏⠞    nag panchmi 6 august ⠝⠱⠛ ⠏⠊⠉⠍⠻

raksha bandhan/ sravani poornima 16 august ⠗⠈⠅⠯⠱ ⠃⠈⠝⠮⠝ ⠈⠩⠗⠱⠧⠝⠻ ⠏⠃⠈⠗⠼⠻⠍⠱    kajli tritiya 19 august ⠅⠚⠇⠻ ⠈⠞⠗⠻⠞⠻⠽⠱

 

    sri krishna janmashtami- 23 august ⠈⠩⠗⠻⠅⠍⠈⠯⠼ ⠚⠈⠝⠍⠱⠈⠯⠾⠍⠻

 

    srikrishnashtami 24 august ⠈⠩⠗⠻⠅⠍⠈⠯⠼⠱⠈⠯⠾⠍⠻

 

 

kushotpatan/ kushi amavasya 30 august ⠅⠂⠩⠇⠈⠞⠏⠱⠾⠝ / ⠅⠂⠩⠻ ⠐⠗⠍⠱⠧⠈⠎⠽⠱   haritalika vrat 2 september ⠓⠗⠻⠞⠱⠇⠻⠅⠱ ⠈⠧⠗⠞

 

    chauth chandra 3 september ⠉⠉⠺ ⠉⠈⠝⠈⠙⠗

 

    Rishi panchmi 4 september ⠪⠯⠻ ⠏⠊⠉⠍⠻

 

 

 karma dharma ekadasi vrat 11 september ⠅⠈⠗⠍⠱ ⠮⠈⠗⠍⠱ ⠳⠅⠱⠙⠩⠻ ⠈⠧⠗⠞    indrapooja arambh 12 september ⠜⠈⠝⠈⠙⠗⠏⠃⠚⠱ ⠂⠗⠈⠍⠘ anant pooja 14 september ⠐⠗⠝⠊⠞ ⠏⠃⠚⠱

 

    agastya ardhdanam 15 september ⠐⠗⠛⠈⠎⠈⠞⠽ ⠐⠗⠈⠗⠮⠙⠱⠝⠍

pitripaksh aarambh 16 september ⠏⠻⠞⠍⠏⠈⠅⠯ ⠂⠗⠈⠍⠘

 

    vishvakarma pooja 17 september ⠧⠻⠈⠩⠧⠅⠈⠗⠍⠱ ⠏⠃⠚⠱  indr visarjan 18 september ⠜⠈⠝⠈⠙⠗ ⠧⠻⠎⠈⠗⠚⠝

 

    srijimootvahan vrat 22 september ⠈⠩⠗⠻ ⠚⠻⠍⠃⠞⠧⠱⠓⠝ ⠈⠧⠗⠞

matrinavmi 23 september ⠍⠱⠞⠍⠝⠧⠍⠻    somaavatee amavasya 29 september ⠎⠇⠍⠱⠧⠞⠻ ⠐⠗⠍⠱⠧⠈⠎⠽⠱

 

    kalashsthaapana 30 september ⠅⠇⠩⠈⠎⠹⠱⠏⠝

 

    vilvabhimantra/ belnauti 5 october ⠧⠻⠈⠇⠧⠱⠘⠻⠍⠊⠈⠞⠗/ ⠃⠄⠇⠝⠉⠞⠻

 

 

patrika pravesh 6 october ⠏⠈⠞⠗⠻⠅⠱ ⠈⠏⠗⠧⠄⠩    mahashtami 7 october ⠍⠓⠱⠈⠯⠾⠍⠻    mahanavmi 8 october ⠍⠓⠱⠝⠧⠍⠻ vijayadasmi 9 october ⠧⠻⠚⠽⠱⠙⠩⠍⠻

kojagra 14 october ⠅⠇⠚⠛⠗⠱   dhanteras 26 october ⠮⠝⠞⠄⠗⠎

 

    deepavali- diyabati-shyamapooj a 28 october ⠙⠻⠽⠱⠃⠱⠞⠻/ ⠈⠩⠽⠱⠍⠱⠏⠃⠚⠱/ ⠙⠻⠽⠱⠃⠱⠞⠻    annakuta-govardhan pooja 29 october ⠐⠗⠈⠝⠝⠅⠃⠾ ⠛⠇⠧⠈⠗⠮⠝ ⠏⠃⠚⠱

 

 

bratridvitiya/ chitragupt pooja 30 october ⠈⠘⠗⠱⠞⠍⠈⠙⠧⠻⠞⠻⠽⠱

 

    khashthi kharna 3 november ⠯⠈⠯⠺⠻ ⠨⠗⠝⠱

 

    chhathi sayankalika arghya 4 navamber ⠡⠺⠻ ⠎⠱⠽⠊⠅⠱⠇⠻⠅ ⠐⠗⠈⠗⠈⠣⠽

 

    samaa pooja arambh- chhathi vratak parana 5 november ⠎⠱⠍⠱ ⠏⠃⠚⠱ ⠂⠗⠈⠍⠘/ ⠡⠺⠻ ⠈⠧⠗⠞⠅ ⠏⠱⠗⠝⠱

 

 

akshaya navmi 7 november ⠐⠗⠈⠅⠯⠽ ⠝⠧⠍⠻

 

    devotthan ekadasi 9 november ⠙⠄⠧⠇⠈⠞⠹⠱⠝ ⠳⠅⠱⠙⠩⠻   vidyapati smriti parv11 november ⠧⠻⠈⠙⠽⠱⠏⠞⠻ ⠈⠎⠍⠍⠞⠻ ⠏⠈⠗⠧ ⠅⠱⠈⠗⠞⠻⠅ ⠮⠧⠇ ⠈⠞⠗⠽⠇⠙⠩⠻    kaartik poornima 13 november ⠅⠱⠈⠗⠞⠻⠅ ⠏⠃⠈⠗⠼⠻⠍⠱

shanmasik ravi vratarambh 30 november ⠯⠱⠼⠍⠱⠎⠻⠅ ⠗⠧⠻ ⠈⠧⠗⠞⠱⠗⠈⠍⠘

 

    navan parvan 4 dec. ⠝⠧⠱⠝ ⠏⠱⠈⠗⠧⠝

 

    vivah panchmi 2 december ⠧⠻⠧⠱⠓ ⠏⠊⠉⠍⠻

 

     

 

Year 2009

makar sankranti 14 january ⠍⠅⠗ ⠎⠊⠈⠅⠗⠱⠊⠞⠻

 

    narak nivaran chaturdasi 24 january ⠝⠗⠅ ⠝⠻⠧⠱⠗⠼ ⠉⠞⠂⠈⠗⠙⠩⠻

 

    mauni amavasya 26 january ⠍⠉⠝⠻ ⠐⠗⠍⠱⠧⠈⠎⠽⠱

 

    sarasvati pooja 31 january ⠎⠗⠈⠎⠧⠞⠻ ⠏⠃⠚⠱

 

 

achla saptmi- 2 february ⠐⠗⠉⠇⠱ ⠎⠈⠏⠞⠍⠻

 

    mahashivratri vrat 23 february ⠍⠓⠱⠩⠻⠧⠗⠱⠈⠞⠗⠻ ⠈⠧⠗⠞    janakpur parikrama 26 february ⠚⠝⠅⠏⠂⠗ ⠏⠗⠻⠈⠅⠗⠍⠱  holika dahan 10 march ⠓⠇⠇⠻⠅⠱ ⠙⠓⠝

holi/ saptadora11 march ⠓⠇⠇⠻ ⠎⠈⠏⠞⠱⠫⠇⠗⠱  varuni yog 24 march ⠧⠱⠗⠂⠼⠻ ⠽⠇⠛  vasant/ navratrarambh 27 march ⠧⠎⠊⠞ ⠝⠧⠗⠱⠈⠞⠗⠱⠗⠈⠍⠘    basant sooryashashthi/ chhathi vrat 1 april ⠃⠎⠊⠞ ⠎⠃⠈⠗⠽⠯⠈⠯⠺⠻/ ⠡⠺⠻ ⠈⠧⠗⠞

 

 

ramnavmi 3 april ⠗⠱⠍⠝⠧⠍⠻

 

    mesh sankranti 14 april ⠍⠄⠯ ⠎⠊⠈⠅⠗⠱⠊⠞⠻   jurisital 15 april ⠚⠃ड़⠻⠩⠻⠞⠇

 

    akshya tritiya 27 april ⠐⠗⠈⠅⠯⠽ ⠞⠍⠞⠻⠽⠱

shanmasik ravivrat samapt 3 may ⠯⠼⠍⠱⠎⠻⠅ ⠗⠧⠻⠈⠧⠗⠞ ⠎⠍⠱⠈⠏⠞

 

     janki navmi 3 may vatsavitri 24 may ⠚⠱⠝⠅⠻ ⠝⠧⠍⠻

 

    gangadashhara 2 june ⠛⠊⠛⠱⠙⠩⠓⠗⠱

    somavati amavasya 22 june ⠎⠇⠍⠧⠞⠻ ⠐⠗⠍⠱⠧⠈⠎⠽⠱

jagannath rath yatra 24 june ⠚⠛⠈⠝⠝⠱⠹ ⠗⠹⠽⠱⠈⠞⠗⠱   saurath sabha arambh 24 june ⠎⠉⠗⠱⠺ ⠎⠘⠱ ⠂⠗⠈⠍⠘

 

 

    saurath sabha samapti 2 july ⠎⠉⠗⠱⠺ ⠎⠘⠱ ⠎⠍⠱⠈⠏⠞⠻  harishayan ekadashi 3 july ⠓⠗⠻⠩⠽⠝ ⠳⠅⠱⠙⠩⠻

aashadhi guru poornima 7 july ⠂⠯⠱⠐⠻⠻ ⠛⠂⠗⠂ ⠏⠃⠈⠗⠼⠻⠍⠱

             

 

VIDEHA MITHILA TIRBHUKTI TIRHUT---

Hussin Shah won Tirhut in A.D. 1466. At Sambhal he arrested Tatar Khan Lodi and sent him to Saran in Tirhut. Saran was a Sirkar of Tirhut.

Contribution of Oinivara Dynasty

 

During  Oinivara Dynasty there was development of Sanskrit learning notable among the scholara being  Jagaddhara, Vidyapati and Vardhamana.

 

Sivasimha and  Lakhima, Padmasimha and queen Visvasa Devi, Chandrasimha and his wife were  friendly with eminent men of letters.

 

Between 1527 A.D. to 1557 A.D., when the New Dynasty was established by Maharaja Mahesia Thakura  centre shifted to Nepal.

 

 

One Kayastha Majumdar ruled for a year A• D. 1544 there was no ruler till A D. 1557.

 

 

During Akbar the fort of  Hajipur fell and later Bihar was lost to the rebel Daud Khan. Tirhut was included in the Subah of Bihar.

 

Mahesa Thakura (c. 1557-71 A.D.), Akbar set up a native Hindu family as the ruler of Mithila, he wrote a history of Akbar's reign in Sanskrit. Governor of Bihar, Hajipur and Bengal in those days was Man Singh

It has been pointed out that the actual man to please the Emperor and got the sailed for Mithila Raj was Raghunandana Raya.  His regin started on Ramanavnmi Sake 1478, March 1557 A. D.

 

Chanda Jha writes in the Introductory portion of his Ramayana that Mahesa Thakura ascended the throne in Sake 1478 i.e. 1557 A. D. whereas Mahavaiyakarana Harshanatha Jha has written in his Samakara Dipika 1479 Sake i.e. 1556 A.D. for the same. Mahesa Thakura established himself at Bhaura. Mahesa Thakura had six wives.

 

He was author of  Darpana- A commentary on Jayadeva's commentary called 'Aloka' on Gangesha's celebrated work Tattvachinramani, wrote Aticharanirnaya. Started  the Dhautapariksha.

Gopala Thakura (1571-84 A.D.)- While Maharaja Mahesa Thakura was alive, Gopala Thakura, his second son, assumed the charge of the administration, however, abdicated later on, in favour of his youngest brother. 

In 1585 Raja Todarmal fixed the annual revenue receipt of Tirhut after measurement at Rs. 11,63,020/-¬per annum¬

 

Rajarshi Paramananda Thakura the younger son of Mahesa Thakura a great poet encouraged Sanskrit learning,  Anandavijaya of Ramadasa and Ragatarangini  by Lochana was writeen under his patronage.

 

Shubhankar Thakur wrote Hastamuktavali, a work on Nritya ,changed the capital of the kingdom from Bhairva to Bhaura.

 

Purushottama Thakura (1619-1626 A.D.) suppressed rebellious chiefs of Sugauna. He ruled only for six years because he was treachorously murdered by Mirza. , the Imperial Revenue Collector.

Narayana Thakura (1625-1644 A.D ).

Raja Sundara Thakura alias Pritinatha Thakura, was a patron of art and letters patronised one poet namely, Ramadasa Jha and encouraged the traditions set up by his father.

Mahinatha ,Thakura (1670/1-1692/3 A.D.) faught in a battle with Raja Gajasimha of Sugama ,suppression of a revolt in Moranga by his brother Narapati Thakura.  Mahinatha himself composed a prayer to goddess Kali in Maithili.

Narapati Thakura (1692-1704 A. D.)’s wife Urvasi Thakura constructed a temple of Saiva.

 

Raghavasithha (1704-1740 A. D.)  received the Khillat and other honours from the Emperor through Subehdar Mahabat Jang and extended favour to his departed father by undertaking a journey to JagannathaPuri and by utilzing the opportunity to visit the Nawab of Bengal. Alivardi Khan, at Mur¬shidabad, obtained the then proud title of  Raja surname of Simha  for himself.

 

The Bhaura-garhi was turned into an impre¬gnable garrison and the contemporary poet Gopala Kavi eulogises the prowess of the fort of Bhaura in enthusiatic terms ; its invulnerable character, its four gates, its heights, its temples, its brave warriors and its excellent management.

 

 

 Jyoti Jha Chaudhary, Date of Birth: December 30 1978,Place of Birth- Belhvar (Madhubani District), Education: Swami Vivekananda Middle School, Tisco Sakchi Girls High School, Mrs KMPM Inter College, IGNOU, ICWAI (COST ACCOUNTANCY); Residence- LONDON, UK; Father- Sh. Shubhankar Jha, Jamshedpur; Mother- Smt. Sudha Jha- Shivipatti. Jyoti  received editor's choice award from www.poetry.com and her poems were featured in front page of www.poetrysoup.com for some period.She learnt Mithila Painting under Ms. Shveta Jha, Basera Institute, Jamshedpur and Fine Arts from Toolika, Sakchi, Jamshedpur (India). She had been honorary teacher at National Association For Blind, Jamshedpur (India). Her Mithila Paintings have been displayed by Ealing Art Group at Ealing Broadway, London.

English Translation of Gajendra Thakur's Maithili Novel Sahasrabadhani by Smt. Jyoti Jha Chaudhary

 Jyoti Jha Chaudhary, Date of Birth: December 30 1978,Place of Birth- Belhvar (Madhubani District), Education: Swami Vivekananda Middle School, Tisco Sakchi Girls High School, Mrs KMPM Inter College, IGNOU, ICWAI (COST ACCOUNTANCY); Residence- LONDON, UK; Father- Sh. Shubhankar Jha, Jamshedpur; Mother- Smt. Sudha Jha- Shivipatti. Jyoti  received editor's choice award from www.poetry.com and her poems were featured in front page of www.poetrysoup.com for some period.She learnt Mithila Painting under Ms. Shveta Jha, Basera Institute, Jamshedpur and Fine Arts from Toolika, Sakchi, Jamshedpur (India). She had been honorary teacher at National Association For Blind, Jamshedpur (India). Her Mithila Paintings have been displayed by Ealing Art Group at Ealing Broadway, London.

The Dawn Of One Summer Day

Before the birds start chirping

And people will begin rushing

Moments for merely breathing

Not far away from the morning

Tranquilized time of dawn of the day

Diligently waiting for the first sun ray

The sky is yet black and dark grey

Will be brightened without delay

Stars have not gone out of sight

Moon is shining still very bright

But it is not the time of night

The most halcyon time to indite

Cold wind defeating the summer

The dew point is ready to occur

Traffic of the city is at its leisure

Usualy crowded, when day’s sizzler

 

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